Temporary position at the Röhsska museet, Göteborg, Sweden

During my time at the Röhsska Museum in Gothenburg, I had the opportunity to preserve 216 objects, ranging from wood and metal to plastic, ceramics, glass, and even paper. I also took care of all the documentation in MuseumPlus and helped with the safe installation of the objects in the exhibition spaces. Additionally, I used preventive conservation techniques, like freezing textiles – because even pests need to cool off sometimes. Overall, it was a role where I could really use my skills in time management, teamwork, and adaptability... and I enjoyed every bit of it !

Temporary position at the Nationalmuseet of Denmark

For seven months, I had the chance to immerse myself in furniture conservation at the National Museum of Denmark. My work ranged from restoring objects in the workshop to heading out to churches for on-site conservation. I even got to got to reconnect with my cabinetmaking roots by crafting an exact replica of a wooden funerary cross—a project that brought back some fond memories and a big smile. One of the most intense experiences was handling pesticide-contaminated artifacts with my team. Picture this: a sweltering June in a warehouse, fully suited up in Tyvek, maneuvering pallet trucks and vacuum cleaners. It was hot, meticulous work, but when you're part of a great team, you’re ready to do whatever it takes to safeguard heritage ❤️. This role was the perfect mix of hard work, teamwork, and a joyful return to my woodworking past.

Stabilisation and preparation for the freezing of gilded wooden objects

I assisted a colleague in preparing gilded wooden sculptures for freezing to tackle an active woodworm infestation threatening them. Initially, we stabilized their movable parts and any lifting areas, then cleaned them. Subsequently, we securely wrapped them in plastic film before placing them in a refrigerated environment. Finally, we delicately removed them from their protective covering and returned them to their original positions.

Conservation of the divingsuit of Cousteau

musée National de la Marine Before After various solubility and cleaning tests, I chose butyl acetate for cleaning the orange parts and ethanol for the black bands. After Before removing the mannequin inside, I consolidated the black bands with a 10% Klucel G solution in a 50:1 isopropanol/benzyl alcohol mixture. I then applied temporary facings using Japanese paper and 1.3% Klucel G in an isopropanol/isooctane (5:2) solution. After mechanically removing the mannequin, and to maintain the shape of the suit, I created custom inflatable pockets using polyester polyethylene, crafted with a heated spatula. My colleagues then took over to install a permanent mannequin and complete the final restoration interventions. I then added Japanese paper/Klucel G reinforcements and filled any gaps with an appropriate putty. Once dry, I began retouching the filled areas. After Before During Before During The restoration of historical objects presents unique challenges that require precision and creativity. Conserving Cousteau's diving suit, belonging to the
in collaboration with the Rouge Cadmium group, was one of these exciting challenges. After During

Conservation of the top of a table

Mobilier National As part of a contract for the
I restored the top of a light table created by Michel Bergue for the 1937 World's Fair. This plywood top veneered with mottled maple had no structural issues but surface problems. Indeed, it was heavily soiled and scratched.

During varnish regeneration Before/After cleaning After the usual condition assessment and preliminary tests, I cleaned the surface with a 2% aqueous solution of Tween 20 followed by a water rinse. I then regenerated the varnish by applying the Isooctane/Ethanol solution (3:1) four times. After filling After waxing After
retouches Once regenerated, I filled the deep gaps and retouched them. Finally, I homogenised the surface by applying a layer of wax composed of 50% microcrystalline wax, 40% beeswax, 9.5% carnauba wax, and 0.5% pigments.

Conservation of objects made of plastic and leather

musée National de la Marine I cleaned the leathers with white spirit, then consolidated them with EVA ART. Afterward, I carried out watercolor retouching and applied a thin layer of microcrystalline wax. Finally, I polished the leathers with a soft cloth. Before After The rubber was cleaned with a polar solvent. Rouge Cadmium After Before During I worked on the leather and rubber of a heavy diving suit belonging to the


within the

group.

Conservation of a 19th century bookcase

After During Before As a project leader, I participated in the stabilisation, restoration, and reassembly of a 19th-century bookcase belonging to the Jacquemart-André Museum. This precious furniture was specifically designed for Nélie Jacquemart's office, but all the horizontal parts were missing upon our arrival.

Together with a conservator colleague, we recreated the missing parts and completely cleaned it in a workshop before reassembling it on site.

Study and conservation of modern objects and furnitures

We reflected as a group before each intervention and used suitable materials for preserving the objects given their specific conditions. Before After After Before Click here to see more before/after pictures I was part of an outstanding team that worked on the study and restoration of the modern and contemporary materials used in the submarine "Espadon". This captivating project first led us to carefully examine the objects on board, before fully immersing ourselves in the conservation interventions.

Conservation of object and furniture made of wood and leather

After Before Click here to see more before/after pictures I had the opportunity to work on different wooden and leather objects in a fellow restorer's workshop for a few days. I stabilised torn leather using Japanese paper lining and Klucel G. Additionally, Additionally, I cleaned and filled the wood, and made retouches.

Preliminary study before conservation and possible disassembly of an altarpiece

The preliminary study of an altarpiece present in the Saint-Pierre cathedral in Poitiers quenched my thirst for research. During my direct observation week, I conducted tests and analyses. I subsequently spent a week compiling these findings into a report. A crucial resource was The Art of the Carpenter by Roubo - highly recommended!
I have detailed the construction and materials of the altarpiece, leading to a report on its condition. Following this, I diagnosed potential issues and projected future concerns. Using these findings, I proposed restoration measures and calculated expected costs using an Excel spreadsheet (what a magnificent tool ❤)

Conservation of wooden objects

Click here to see some before/after pictures As part of the reopening of the Maritime Museum, I joined the restoration team for the wood and furniture collections. I then had the opportunity to restore four objects. The majority of interventions were cleanings, fillings and retouches.

Conservation of benches

After Before I helped conserve historical benches in a synagogue from the end of the 19th century.

Conservation of a Louis XV desk

During the process, we used a mixture of fish glue and phenolic balloons to fill the veneer lacunas. Finally, we meticulously retouched them with watercolor before applying a protective varnish. After Before I had the opportunity to contribute to the conservation of a magnificent desk belonging to the Académie Française.

Stabilisation of a luminous column

After Before During Villa Noailles. Perched on scaffolding, I carefully disassembled with a colleague a light column belonging to the
We delicately cleaned and consolidated each polymethylmethacrylate element. Finally, we methodically reassembled the column with new nylon screws that ensured better stability.

Dusting and condition study of a permanent collection

I had the chance to engage in dusting the different rooms of the Musée Jacquemart-André of Chaalis, and also made a condition study of the beautiful objects and furniture that are housed there.

Conservation of a gilded frame and a Louis XVI armchair

After Before To conserve a gilded frame and seat, I began by meticulously cleansing the surfaces. Then my attention shifted towards filling the lacunas with putty and proceeded to retouches with an acrylic binder and mica. This meticulous approach ensured a uniform result without compromising its integrity.

Preliminary study before conservation

Musée National de la Marine I had the unique opportunity to take part in a preliminary study focused on the preservation and conservation of synthetic and textile materials from the collections of the

Cleaning of a 17th century altarpiece

After Before During I worked as a subcontractor to clean a beautiful 17th-century altarpiece.

My master's degree essay

During my final year of studies, I had the chance to study and work on a fascinating piece of industrial history - the Philips 510LU radio receiver. This artifact belong to the collection of the Musée d'Histoire urbaine et sociale of Suresnes. © INP / Angèle Dequier © INP / Angèle Dequier zoom_in

After Before During To conserve this damaged plywood, I followed a specific process. Firstly, I carefully sprayed a mist of water onto the broken area with a nebuliser. Next, I applied fish glue directly into the break. Finally, I placed the plywood under pressure using a press to securely bond and repair the plywood. After Before During To conserve this paper, I followed a systematic approach. Firstly,I conducted extensive research to gather relevant information on adhesive films made with ethylene-vinyl acetate. Subsequently, these adhesive films were applied in strip form onto the tears using a heated spatula. After Before L'acétate de cellulose cassé à été consolidé à l'aide de film adhésif d'éthylène-acétate de vinyle. Ils ont été appliqués en les imbibant légèrement de Cumène. © INP/Angèle Dequier After Before During Dusting and cleaning of the radio interior. Here the paper present is dusted and then cleaned using a Staedler latex eraser.

Conservation of a Tulip armchair

During my enriching six-month internship at the Nasjonalmuseet in Oslo, I had the opportunity to meticulously conserve a Tulip armchair, an iconic masterpiece, designed by Eero Saarinen.
The seat is constructed with a cast aluminum base, a fiberglass polyester seat and a plant fiber cushion.

I thoroughly cleaned the gaps in both the base and the seat using demineralized water. Afterward, I carefully filled these gaps with a suitable filler. To enhance the overall appearance of the seat, I then retouched using acrylic paint. Nasjonalmuseet After Before To restore the cushion, I began by carefully removing the stitches from the polyurethane foam and plant fiber cover. Next, I used a solution of Plextol B 360 diluted to 1.5% in ethanol with a drop of Tinuvin 900 to consolidate the foam. I applied this solution with a nebuliser. Once the foam was consolidated, I wrapped it first in Tyvek and then in felt before placing everything back into its original cover. Finally, I sewed up the cover. Before After Nasjonalmuseet

Scientificic research on consolidation of polyurethan ether foam

Click here for an overview of the protocol or the results During my fourth year at the Institut National du Patrimoine, I had the opportunity to collaborate with Daria Gorbaczewska-Kuzniak on an extensive scientific investigation. Our main objective was to assess how the mechanical properties and color of polyurethane ether foam are influenced by consolidating it with aminoalkylalkoxysilanes over a certain amount of artificial aging.